How well do you sleep at night? Sometimes, if you’re a writer, ideas race to your mind the second your head hits the pillow. You struggle like hell to sleep, but the best ideas keep hitting you and you find yourself almost constantly sitting up and writing things down before you lose it. Then your wife wakes up and glares at you for waking her. Nothing is worse than the wife glare of death!

This is what happened to me during the creation of most of my books but it happened the most with Who Killed Joel Larson? It was not until I had published the book that I was able to realize what films and characters had subconsciously inspired my writing. I thought I’d dive into that today. 

Okay. I wanted a story with a great plot. In addition to the focal murder mystery narrative, I wanted to flesh things out with other subplots connected to the main story. This is where Batman Forever planted a seed.
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Batman Forever’s main story is about Batman stopping the hilarious Riddler and goofy Two-Face. That is the main goal of the protagonist. (Batman) But so much else takes place that makes this one hell of a movie, albeit a cartoony one. Take a look at this, courtesy of youtuber J’s Reviews. See his video here.

Despite cramming all of these issues into a movie that is only an hour and half long, it works. There’s a lot for Batman to overcome. In the midst of his depression and battle with two super villains, he also has to take time to mentor his rebellious new ward Dick Grayson. He is also developing a relationship with a new love interest, Dr. Chase Meridian. 

​Likewise, there is a lot going on in Who Killed Joel Larson? The plots are as follows:

*Maggie Taylor will lose her job if she does not solve Joel Larson’s murder in a timely matter.

*A terrorist group reunites and confirms that Maggie is their next target.

*Maggie adopts a daughter who disappears from school.

*Maggie’s antagonistic ex-boyfriend destroys her public reputation and is en route to solving the case first.

*Maggie’s relationships with others is often complicated due to her battle with bipolar disorder.

That’s a hell of a lot for one person to deal with, and that’s what helps her character arc. Speaking of character arcs, that is where Rick Grimes from The Walking Dead steps in. 

Characters have to be realistic. Some of them (especially the protagonist) need to evolve over the course of the story. Otherwise what's the point? Maggie Taylor begins the story as an anxious, depressed human being. She is somewhat of a tomboy version of Winnie The Pooh. However, due to the intense situations she is forced to deal with, she is pushed to the brink and ultimately becomes a warrior. Though she still suffers from her bipolar moods, she ends the story on a happy note. Well, not entirely if you have read the twist ending. But overall she grows tremendously as a person.

Did anyone inspire this character growth? Yes! Rick Grimes from The Walking Dead.
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Rick began the first season as an everyman. He was a good-natured cop before the zombie apocalypse began. Once the dead begin to rise and feed on the living, Rick holds on to his principals. He refuses to kill living people. He goes out of his way to save others, some of whom do not deserve it. He refuses to give up hope, regardless of how bleak the situation is. Because he is level-headed, other characters look up to him as a leader.

However, due to his good intentions sometimes getting people killed, Rick sometimes doubts his own leadership and eventually adapts to the violent world around him. By the end of season 2, he has become a hardened, ruthless individual. In the later seasons, Rick would occasionally he return to his moral code from early seasons, but he always reverts back to becoming a badass. It is the uncompromising violent Rick that kept him and his group alive for so long. The zombie apocalypse changed him tremendously as a person.
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Rick inspired me in other ways too. For example, Rick’s behavior was often influenced by those around him. Rick’s former best friend turned antagonist Shane Walsh planted the seed for Rick to become emotionless, violent and uncompromising. His father figures (Dale and later Hershel) helped him maintain his humanity. His sidekick Daryl is constantly his backbone, almost always giving Rick his full support. Michonne and Glenn are Rick’s conscience as well as secondary strategists. And then there’s his son Carl, whom Rick will do anything to protect. 

Pictured above is what I consider a "Character Tree." If this were the solar system, the protagonist would be the sun and the supporting characters would be the planets. 

In the case of my protagonist Maggie Taylor, her husband Jacob would be Character C. Because he is confident and silly, he brings out Maggie's humorous side. She feels safe and secure with him.

You see, the Character Tree is much like real life. You act and feel certain ways around different people. For example, your boss may bring out an ill-tempered side of you, but your child at home brings out your playful and optimistic side. Characters in fiction are no different. No one is black or white. There's a lot of grey.

However, the Character Tree does not have to be as exact as you see it here. For example, Lamont Jackson (Maggie's vengeful ex-boyfriend) does a damn good job of humiliating and antagonizing her. He crushes her spirit and brings out Maggie's fearful and vulnerable side perhaps more than any other character. 

Her boss Commissioner Mickey becomes a caring mentor and father figure. It is his wisdom and mentoring that helps Maggie to keep a level head in tough situations. In contrast, Maggie does not get along with her racist and overbearing mother, who generally brings out her morose side. Something as subtle as the Character Tree brings realism to the story.

(Spoilers for The Last Of Us) OK. Imagine you're a sweet but foul-mouthed 14 year-old girl. You have no family because a fungus has mutated most humans into vicious zombies. Mankind is hanging by a thread, but you have one person that you love -- A father figure who has saved your life and vice versa. With me so far?

Alright. Four years later, a mysterious and muscular woman named Abby comes from out of nowhere and blatantly murders your father figure. Naturally, Abby’s the villain, right? Well, midway through the game, the player is forced to switch roles and play as Abby, who, as we find out, is actually the story’s hero. Your father figure was the real monster all along, and you're following in his footsteps. 

I took inspiration from this. For example, in Who Killed Joel Larson? There is a minor character who recently lost his wife and his young son is currently dying from the same illness. The quickest way for this character to get the money to pay for his son’s operations is to become a hitman for a crime boss.

​So, is he doing the right thing (by saving his son’s life) or is he doing the wrong thing (by killing innocent people)? Either way, he is the anti-villain or the anti-hero hero depending on your perspective. Maybe you see him as a villain. Me personally? I see him as an anti-villain because he doesn't want to do these things, but loves his son and will do anything to save his life.

Ahh, perspectives. This  was something I enjoyed playing with. Since Joel Larson’s body is discovered during the prologue, he is not available for the reader to get to know during the current timeline, so we rely on the perspective of others who knew him. But we get to know Joel during flashbacks. To get deeper perspective from Joel, a few of his journal entries are available throughout the novel. Joel was secretive with his journal, therefore no one read it until after his death. This will help you to draw your own conclusions about the guy. Was he purely a monster? Was he misunderstood? Were his mental illnesses to blame? Were the seeds of his bad behavior planted by poor parenting? You could argue that it could have been any or all of these things, but ultimately it’s up to you. 

The same is very true of Catwoman in Batman Returns. Her only real goal is to get revenge on the man who murdered her. Is she trying to kill everyone in her path? Is she a bad person overall? No. She may be mentally unstable, sure. But she also saves a woman from being mugged, and is more interested in seducing Batman than killing him. Still, although she does bad things sometimes, her reasons are well understood.

​If the movie were from her perspective, Batman would be the villain because he is trying desperately to stop her from achieving her goal of killing her former boss, Max Shreck. 

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You know what? The first “Whodunit” I was ever intrigued by was a storyline from the WWE (then the WWF) In 1999, Stone Cold Steve Austin was run over by a limousine and out of action for 9 months or so. Everyone on the roster was a suspect. Although Austin was extremely popular with the fans, he was not popular with the other characters. He was a beer-drinking anti-hero who went by the motto, “Don’t Trust Anybody.”

During his absence, his long-time rival The Rock replaced him as the company’s top star. Likewise, the WWF’s top villain (Triple H) married the daughter of Vince McMahon (Steve’s arch nemesis) and dominated as the WWF champion. Naturally The Rock, Vince McMahon and Triple H were the top three suspects, but Austin did not get along with anybody (aside from announcer Jim Ross) so the list of potential suspects was as deep as the grand canyon.

This whodunit angle did not necessarily influence the Joel Larson mystery, but showed me how such a mystery should be handled. Like Stone Cold, Joel Larson was not Mr. Popularity. There's a short list of people who genuinely liked Joel Larson.

Samantha Larson- Joel's mother. She loved her son dearly and desperately wants to know who murdered him.

Jessica Larson- Joel's quiet and gothic sister. Close to her mother most of the time.

Terry Rossi -Joel's maternal grandfather. Despite always supporting Joel, he is a bad influence on him and regularly clashes with Samantha on raising him.  Because he is deceased in the current timeline, Terry is only present in a flashback and mentioned once in Joel’s journal. He was a wise-cracking character, but Joel may have turned out better if he lived longer.

Maria Sanchez -The closest thing to a girlfriend Joel ever had, and a really close friend in the short time they knew each other. The staff permanently separated them after they were caught doing something sexual. Both of them missed each other greatly, but never saw each other again. Maria is devastated by the death of her friend.

Evan Camden - A friend Joel saved during a seizure. Evan has Down syndrome, was a good kid and got adopted in Florida 

Peter and Donna Smith -An elderly couple Joel rescued from a wolf attack. They speak at his funeral. 

Father Clifford Stephens - An amusing priest adored by the students of Father Barry Catholic Middle & High School. He gives Joel wisdom during his teenage years. After Joel’s death, he expresses his sorrow on social media and gives the homily at Joel’s funeral. He is only seen in flashbacks and in one social media post.

Coach Jack William Wright -Jack becomes a huge fan of Joel after witnessing him knockout huge popular bully Clay Ross. Much like Father Stephens, Dr. Chung, and Joel’s grandfather Terry, Coach Wright is very supportive of Joel. He pleads with Principal Glover to allow him to nurture Joel’s gift and train him to be a boxer, but the close-minded Glover refuses. Coach Wright is regretful and devastated over Joel’s death. Like Father Stephens, he only appears in flashbacks and on a social media post.

Elijah Sanderson - Mae Sanderson’s 8 year-old grandson. Loved to hang out with Joel. Joel’s last real friend.

Compare this tiny list of Joel's allies to his looooonng list of enemies.

Aaron Henson: A pedophile who lives across the street from Joel.

Kinky Christa: A sex worker who rejects Joel.

Jackie Larson: Joel's older brother. Joel attacked his wife and caused her to miscarry. As a result, Jackie has never forgiven Joel.

Kelly Patterson: An evangelist caretaker Joel attempted to rape.

Crazy Dan: A homeless alcoholic veteran who was near the crime scene.

​Mark Tupola: An effeminate caretaker beaten up badly by Joel.

Tiana Jones: A former colleague of Joel's. Joel fondled her at McDonald's and she threatened to kill him.

Amaya Turner: One of Joel's caretakers. Joel broke her windshield and knocked her out with his fist.

Mae Sanderson: A smug and jaded elderly caretaker who openly despises Joel.

Randy Venson: An innocent caretaker Joel frames to get arrested by the police.

Damon Richards: Maggie's new assistant. He's shy, introverted and secretive. 

Sarah Vaughn: The 21 year-old jogger who discovered Joel's body.

Clay Ross: A tough jock who bullies Joel in middle school.  He eventually has a sex change and becomes Clayannah Ross.
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Naturally, there are certain types of characters needed in each story you tell. Everyone has to serve a purpose one way or another. Before I dwell into the different types of character tropes, here is a list of the main cast of Who KILLED Joel Larson?

Maggie Taylor (Protagonist) Insecure, timid, anxious and depressed. Desperate to save her job by solving the Joel Larson murder case and locate her missing daughter. Her life is complicated by her impatient boss Commissioner Mickey, her overbearing mother Rachel, a vengeful ex-boyfriend and a terrorist group out to kill her. Although she has enough problems, her bipolar diagnosis makes things harder.

Joel Larson   (Deuteragonist)   The 24 year-old mentally disabled man whose life and death are the focal point of the story. Joel was highly intelligent but had the maturity of a ten year-old child. He suffered from constipation,  autism, pathological laughter, schizophrenia, and bipolar disorder. He had a long history of racism, violence and both physical and sexual assault, but was on his way to redemption when he was murdered. However, a lot of his bad behavior was the result of his mental disorders and bad parenting. His biggest obsessions are losing his virginity and the late heavyweight champion Rocky Marciano.

Jacob Taylor:  Maggie’s friendly and concerned husband. He tries to keep her laughing and is always in her corner. Although he is a goofball, he is mentally tougher than Maggie. He is her backbone.

Commissioner Leonard Mickey: Maggie's gruff boss, and the most popular police officer in the city. So popular, in fact, that he is running for governor and en route to an easy victory. 

Lamont Jackson: Lamont is a famous journalist who is also the disgruntled ex-boyfriend of Maggie. He still resents her for breaking his heart years ago, and is actively out for revenge.

Dr. Theodore Chung: Joel's friendly psychologist. 

Mallory Taylor: Maggie's recently adopted daughter. She suddenly disappears from school one day.

The Jaspers: A group of terrorists who confirm that Maggie is their next target.

These are the main characters. Now let's go into which types of characters you see in nearly each film, book or general story. Pay close attention.

Protagonist - The main character. He/she drives the plot and grows as the story progresses. This is their story and their perspective. In Who Killed Joel Larson? The protagonist is obviously Maggie Taylor.

Villain/Antagonist - The person who opposes the protagonist or hero. The antagonist doesn't always have to be a physical character. It would be a force of some sort, or something that the protagonist has to battle from within. Although antagonists are often evil or wicked, this is not always the case. Sometimes they are just standing in the way of the goal's of the protagonist or vice versa. In my novel there are several antagonists including Lamont Jackson, The Jaspers, Maggie's bipolar diagnosis and several other characters who will surprise you later in the story.

Tertiary Character - A character of minor importance but vital to the plot in some way. We know just enough important things about them to find them interesting. An example would be Glinda The Good Witch in The Wizard of Oz. She does not appear much, but plays a vital role in Dorothy's journey. In my story, many of the people Maggie interrogate fill this role.

Deuteragonist- The second most important character in the story. In some stories they support the protagonist. (Like Robin supporting Batman, for example). Other times the deuteragonist may also be the antagonist. Deuteragonists may even have their own subplot. In Who Killed Joel Larson? The deuteroagonist is obviously the title character.

Love Interest - Quite obvious. In my story, Maggie's husband is her love interest. Joel attempts to have several love interests but they never pan out.

Mentor/Confidant - The character the protagonist trusts the most. They could be a wise older person, a sidekick, a love interest, etc. When the protagonist confides in the confidant, they are actually speaking to the audience. In my novel, the confidant characters are primarily Maggie's husband Jacob and Commissioner Mickey. In his subplots, Joel Larson has a few characters he confides in, including Dr. Chung, Greg Smith and Father Stephens. 

Flat Characters - Minor characters who only appear once or don’t contribute much to the story. They're minor plot devices just to get from point A to point B. They could be a pet, a secretary, a mailman, a stranger, etc. Generally these characters may have one or two lines.

Foil Character - Someone who is the opposite of the protagonist but not always in a bad way. In my story, Jacob is Maggie's foil. She is depressed and anxious while he is confident and funny.

Anti-Hero - Someone who lacks heroic tendencies, but you wind up rooting for them. Sometimes the anti-hero is someone who doesn't want to be the hero, but they're somehow forced into doing the right thing. Maggie is something of an anti-hero early in the story. Likewise, Joel is an anti-hero in certain situations.

Anti-Villain - Someone who may be good character overall but does bad things for understandable reasons and ends up being a villain. Sometimes the person is forced into being a villain, much like the David Kessler character in An American Werewolf In London. In my novel, the hitman character I mentioned earlier in this essay is a perfect example of this. (He is part of a MAJOR plot twist).

False Protagonist - Someone whom you think is the lead character, but you discover a bit later that they are not the lead character. This character may die early in the story, or the focus will shift to another character as the protagonist. Sometimes you'll discover later that this person is actually the villain. There are no false protagonists in my story, but there are plot twists that will throw you off. (A character or two you think is a good character but they're really not, and vice versa).

False Antagonist - The opposite of a false protagonist. They appear to be the bad guy but you later discover that they are not the main villain or they were never the antagonist in the first place. Sometimes they wind up being the hero. There is one in my story but I won't spoil it. 

Hero Antagonist - A good character opposing a villain protagonist. Hero antagonists are only present if the main character is the villain. 

Villain Protagonist - The villain when he/she is the main character. In his subplots, Joel is a villain protagonist although he has moments of good.

Static Character - A character who does not change at all throughout the story. In my story, Maggie's mother Rachel is overbearing, racist and opinionated. She is this way at the beginning of the story, and the same at the conclusion.

Joel strives to be a good person, but his developmental difficulties and poor socialization constantly stand in his way. For example, asking him a simple question like "How are you doing?" will result in a detailed and annoying long-winded answer. 

Despite this, he saved the life of a friend suffering from a seizure. He rescued an elderly couple from a vicious wolf. He acts as a role model for an 8 year-old boy. He takes care of a pet turtle. He is very intelligent and articulate in book smarts but childish in maturity. He is impulsive, rarely thinking about the consequences of his actions. He is lonely, always in search of a friend or love interest. At the time of his death, the animals in the forest are his closest friends.

Have you seen the movie, Joker? If so, you’re familiar with pseudobulbar affect, which is involuntary laughter at inappropriate times. Joel suffers from this, which greatly hurts his socialization. He also suffers from low latent inhibition, causing him to overly process minor things that most people routinely look over. He was also diagnosed with frontal lobe autism spectrum disorder, bipolar 1 disorder, obsessive compulsive disorder, schizophrenia and constipation. Yes, that's right. Constipation.
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He was sloppy. He was crude. He lacked skill, speed, finesse and grace in the ring. But the boy could punch, and given Jack Johnson’s suspect chin, Tony has a chance in this fight. But before we get to that, let’s dissect Tony’s career and style. My primary focus will be on his most famous fight, where he twice hurt The Brown Bomber Joe Louis, even flooring him once.

Joe Louis was in his prime and destroying his opposition so quickly and easily that his opponents were nicknamed “Bums of the month.” Joe wound up being heavyweight champion for nearly 12 years and defended the championship a record 25 times. One of the guys he defended his crown against during this time was “Two-Ton” Tony Galento.

Tony was one of boxing’s first trash talkers. When asked once about Joe Louis, Tony replied by saying, “I’ve never heard of the bum.” 

During the weeks leading up to their fight, Tony would repeatedly call Louis and say, “I’m gonna moida ya bum,” and then slam down the receiver. Louis generally kept a stoic face and a cool head, but Galento wound up being one of the few fighters to piss him off. Louis even said to a reporter before the fight, “Why is that little fat man calling me a bum?” Not only did Galento hurt Joe in the ring, but he hurt the champ's feelings :(

Louis and Galento both sat down to discuss their infamous battle together in the video below. They went into detail on everything, including Joe mentioning how he planned to carry Tony for a long time to punish him for his trash talk, but got upset when Tony knocked him down, so he decided to end it fast. I must also point out that Joe always ended things quickly when an opponent hurt him or was a major threat to him. Galento is a great example of this, as was Max Baer, Jack Roper, Max Schmeling (rematch) and others.

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When I was a teenager living in Memphis, TN, I remember browsing my local Blockbuster Video Store. (RIP, Blockbuster). I stumbled across a movie called Rocky Marciano. Being a boxing fan, I was immediately intrigued. In case you're unaware, Rocky Marciano retired with a record of 49-0 with 43 wins by knockout. At the time, I knew almost nothing about Marciano other than the fact that he retired undefeated and, according to Eddie Murphy, beat up Joe Louis when he was 175 years old.

I rented the film but I wondered how a movie like this would work. We know Rocky never lost a fight, so what would be the conflict? How do you make a movie where everyone already knows the ending? Turns out, Director Charles Winkler did a great job spinning around this issue, and the film became my favorite boxing movie to date. 

We meet 10 year-old Rocky Marciano during the Great Depression when everyone was pissed off and money was scarce. His father (played by the late George C. Scott in one of his final roles) was a miserable Italian immigrant working at a Stacy Adams shoe factory. In the meantime, Rocky discovered a love of boxing. His hero was the great Joe Louis, the heavyweight champion at that time. We witness young Rocky hanging up a picture of Louis in his bedroom and celebrating with the locals on the legendary night when Louis knocked out Germany's Max Schmeling in one round.

As an adult, Rocky (Jon Favreau) had enough of work in the shoe factory and, reviving his love of boxing, decides to get involved in amateur boxing where he quickly suffers humiliating losses to Golden Gloves Champion Henry Lester and four other contenders. Ignoring the pleading of his best friend Allie Colombo, (Rino Romano) Rocky decides to turn professional. His strategy of training harder than his opponents sounded ridiculous at first, but his conditioning and hard-hitting style allowed him to win his first 12 fights by knockout. By the middle of the movie, he's already gone 25-0 against the best boxers in the world.

Around this time is where the problems begin to pile up, and boy did Rocky have a lot of problems on his plate! First, he meets a well-connected manager named Al Weill. Al may be good at booking fights, but he talks Rocky into signing a contract where he receives half of Rocky's earnings for the rest of his life. This begins a long flow of money problems Rocky faces throughout the movie. Next, Rocky nearly quits boxing when he literally punches the undefeated 6'4 Carmine Vingo into a coma. Vingo recovered and is paralyzed today, but the incident had a bad effect on Rocky. Around the same time, he asks his girlfriend Barbara Cousins (Penelope Ann Miller) to marry him and she turns him down. Damn.

Eventually she comes around, but Rocky is hit with tough news at their wedding when Al Weill announces that Rocky will have to fight his hero, The Brown Bomber Joe Louis!

This is the real conflict of the movie. Rocky loved Joe Louis. No, I mean, he really loved the guy. Everytime Louis was in Rocky's presence, he walked in slow motion and appeared to float. He was Rocky's hero since childhood. Louis defended the heavyweight title 25 times and was champ for almost 13 years. But he was forced out of retirement because of tax problems. Even though he was past his prime, he was still regarded by most in the film as "the greatest boxer who ever lived" and few gave Rocky a chance at beating him.

However, beating Joe Louis was the only way Marciano could get a shot at the heavyweight title and have enough money to rescue his father from that "damn shoe factory," as he put it. The money would also put Rocky in a better position to get away from the greedy Al Weill and the other gangsters lurking around.

Even though it's not entirely accurate, a lot of things were done right here. For starters, I like the way Favreau played Marciano. He gave him a bit of cool cockiness that made him likeable. He's someone you could easily be friends with and you want to see him succeed.

Secondly, Favreau and Duane Davis (who played Joe Louis) really did their homework on the fighting styles of the characters they played. Favreau did a great job mimicking Rocky's bobbing and weaving style, while Davis looked great portraying Louis' flat footed, boxer-puncher techniques, right down to crushing jab and swift, hard combinations Louis would throw. In the end, the climactic fight between the two was really well done and an excellent representation of the real battle between Louis and Marciano. To sum it up, Louis controlled the fight early with his jab, but Marciano's constant pressure and body attacks wore him out as the rounds progressed. Marciano floored Louis with a hard left hook in the 8th round and finished him moments later by knocking him through the ropes with a devastating right to the jaw.

Many friends of Rocky will tell you that he was a bit weird when it came to money. He only took cash, and hid money in odd places. The movie explains early on how The Great Depression effected Rocky during his childhood. After growing up poor, he made sure to save every penny he had. He didn't trust banks or checks. Only cash.

The film paid close attention to history, particularly in scenes like the one when Rocky was training for the Louis fight. Along with Allie and trainer Charley Goldman (Aron Tager) Marciano watches Louis' fights with Schmeling, looking for any potential weaknesses in The Brown Bomber.  Goldman points out that Louis drops his left hand, leaving him wide open for the overhand right. This shows the trio came up with Marciano's fight plan for Louis - kill the body and the head will die. In other words, hit Louis so much in the ribs and stomach that when he drops his hands to protect the body, smash him with a knockout blow upstairs. The strategy worked. Watching this is like being a fly on the wall in a real training camp. 

To me, the film landed all the right blows for a boxing movie. You care about the characters, the fight scenes were excellent, the acting was good, etc. Plus it's nice to see something done on a heavyweight champion whose last name isn't Ali or Tyson. No offense to those two, but other boxing legends are lost in their shadows and Marciano is one of them. In addition, Marciano is one of my favorite heavyweight champions of all time. In his prime he was exactly my size. (5'10, 184 pounds, although my long dreads may be extra weight). In boxing, my favorite boxers are the little guys with a big punch. Rocky had freakish punching power for someone so undersized, something else explored in the film. 

Also, in a time of racial tension in this country, Marciano was not a racist man. The film goes out of its way to show this several times, among them being scenes showing Marciano's respect for Louis, and the fact that he attacked a reporter who made a racist remark about Louis. Because of this, I respect Rocky as both a boxer and as a man. Also, if you pay attention, you'll notice that actor Tony Lo Bianco (who plays gangster Frankie Carbo in this movie) played Rocky Marciano in another Marciano biopic during the 1970s. But every movie has cons and sure enough, this one is no exception.

Only three things bother me about Rocky Marciano. One is the constant flashbacks. It starts to give you a headache after a while, especially when they arrive without warning. One minute Rocky is balding and happily retired. The next he's a young contender struggling with a corrupt manager and knocking people out. 

Second, the movie somewhat ignores Louis' age when he fought Marciano. Remember that in the beginning of the story, Rocky is a small boy celebrating a Louis victory. And as an adult, 13 years later, he's fighting the man! But strangely, no one really mentions Louis' age and everyone acts like the fight is prime versus prime. I understand at the time that Louis' legacy was already intact and Rocky was still a prospect, but the movie's writers basically ignored Louis' age. The producers should have given the Louis character a bald spot or gray hair or something to show that he was much older than Rocky.

Lastly, (and most important) the movie stopped too early in Rocky's career. The film ends just after his victory over Joe Louis, therefore we don't get to see his tough fight against Jersey Joe Walcott for the heavyweight title, or the battles with Ezzard Charles and Archie Moore. Those fights were classics and would have been great to see. I understand that the movie would have to be a miniseries to include those highlights, but it would have been worth it, in my opinion. The producers did such a great job with the fight scenes that I know they would have done Marciano's later fights justice.

Other than those three minor quibbles, this film is great! HBO also scored a knockout with their 1995 movie, Tyson, which featured some of the cast from this film. That movie was awesome as well, but the Marciano movie edges it out a little, possibly because Mike Tyson's story has been told countless times.

As far as Rocky Marciano goes, I definitely recommend this movie. Even if you're not a fan of boxing, I think you'll like this one. Great storytelling, and my favorite boxing biopic of them all.

**** 1/2
 Four and a half stars out of 5

Listen to my interview with Rocky Marciano biographer John Cameron.

See what Joe Louis himself had to say about his brawl with The Brockton Blockbuster. (Scans taken from Joe Louis' autobiography, My Life).